Kopalnia (1947)
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Kopalnia
Mengusung genre dokumenter, Kopalnia (1947) hadir dengan cerita yang sayang untuk dilewatkan. A film dedicated to miners, showing the hardship and risk of working in a mine. Devoid of verbal commentary, it draws its impact from the form: suggestive cinematography close to the pre-war avant-garde, dynamic editing closely linked to music. Brzozowska was accused of formalism at the 1949 Congress of Filmmakers in Wisła, where socialist realism was proclaimed.


